A month prior to the release of the script for this year’s most anticipated literary adaptation, several industry giants are vying for the opportunity to direct.

Prominent figures such as Steven Spielberg, Chris Columbus, Jonathan Demme, Rob Reiner, and Brad Silberling are all in the mix, eager to take the helm.

Harry Potter has emerged as a cultural phenomenon, dominating the New York Times bestseller list with three titles currently in the top ranks, and boasting nearly 5 million copies sold.

The series’ debut book, “Harry Potter and the Sorcerer’s Stone” by J.K. Rowling, has 1.6 million copies in circulation and holds the No. 3 spot on the bestseller list.

Its sequel, “Harry Potter and the Chamber of Secrets,” follows closely at No. 2 with 1.8 million copies, while the latest entry, “Harry Potter and the Prisoner of Azkaban,” is set to launch at No. 1 on September 26, having already sold 1.5 million copies in just two weeks.

This impressive success is being hailed as a remarkable achievement for children's literature.

Insiders reveal Spielberg is particularly interested in directing the adaptation, although no official announcement has been made regarding who will oversee the film’s creative direction.

The screenplay is being crafted by Steve Kloves, known for his work on “Flesh and Bone.”

While the studio remains tight-lipped about potential directors, there is a consensus among insiders that several have shown interest.

The Competition: ‘Harry’ vs. ‘Hannibal’

Reports indicate that Spielberg was initially approached by former co-chairman Terry Semel to consider directing the Kloves script when it became evident that Harry Potter was outperforming Thomas Harris’s “Hannibal” on bestseller charts.

This trend signifies a resurgence of British literature in Hollywood, reminiscent of the impact of J.R.R. Tolkien’s “The Lord of the Rings,” although that adaptation took years to materialize. Producer David Heyman, at the helm of Heyday Films based in London, secured the rights to the "Harry" book series two years ago, long before the wizarding phenomenon took off in the UK. He promptly presented the project to Warner Bros.' VP, Lionel Wigram. Throughout this process, Heyman has fostered a strong partnership with J.K. Rowling, the author behind the beloved series.

While children in both the UK and the US have fallen under the enchanting spell of "Harry," some traditional literary critics in England have voiced concerns. They argue that the series has monopolized bestseller lists, overshadowing other adult literature. In response to these complaints, The London Times has reportedly removed the "Harry" books from its adult bestseller rankings. Representatives from the publication have not commented on this decision.

In the United States, certain literary figures have also expressed their discontent, claiming that "Harry" occupies space on the New York Times bestseller list that should be reserved for children's literature. However, the New York Times maintains that the placement of titles will reflect their sales figures, regardless of any criticism directed at their classification.

'Slippery Slope'

Charles McGrath, the editor of the New York Times Book Review, cautions against removing titles from lists, calling it a "slippery slope." He acknowledges that the popularity of the Potter books can frustrate other authors hoping for a spot on the coveted lists.

McGrath adds that he has heard from many parents of young readers, ages 8 to 10, who are finding it difficult to engage their children in reading. However, the Harry Potter series seems to be igniting a newfound passion for reading among them. He also points out that evidence exists showing that adults are enjoying these books as well.

Rowling has expressed her intention to create at least seven volumes featuring the young wizard, indicating that the tone will darken and become more intense as Harry and his companions mature. This evolution presents a significant challenge for the filmmakers adapting the series.

The task of capturing this delicate balance is reflected in the list of potential directors, all of whom have experience in creating films that blend fantasy with darker themes.

Heyman previously stated, “One of the book series' strengths lies in its respect for the reader; we will embrace the scarier aspects in the film adaptations.”

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